Jing :: The Well
A town moves: but a well1 cannot :: No loss, no gain: there is a constant coming and going :: The rope is too short or the bucket is broken : inauspicious
Jing is a well that taps a spring. Symbolically it is any mechanism (art, ritual or tool) by which human beings discover and/or express their interconnect-edness to nature (each other, ancestors, Da). Wells were part of ancient city planning, and for practical and symbolic reasons, the wells were placed at the center of each orderly neighborhood.
The auspice of Jing is mixed-there is a different auspice for each line. Adaptability to the unevenness (cycles) of nature brings success.
Jing is about the natural reciprocity in the human relationship to nature. The Zhouyi says that the unevenness of nature (well) mirrors the unevenness of our conduct. If we act inappropriately we ruin our resources (dry well). In the Zhouyi nature is not an almighty god that stands in judgment of us, meting out punishment for our wrongs. Nature is a dialog.
In Jing, wells, like all great constructions of human culture and religion, are dialogs with nature. Observing the responses of the well we learn the simple protocols of nature and spontaneously create a natural conservancy-a natural morality, beyond optimism, pessimism and idealism.